In The Dominance series, about the acute condition of subjugation, desperate coquettishness of the objectified body has been reflected using the female body as a confiscated object of the patriarchal society, and also the portrait of woman, devoid of subjectivity, has been shown through an exaggerated made up stage. A cold and lifeless face that with revealing eyes is trying to reveal its perfect and theatrical background. The dominant recurring theme in The Dominance is the all-present absence of men represented with ironic and erotic elements. In the exaggerated arrangement of these elements on the stage in each frame, there are implicit and repeated references to the contemporary history of Iranian women under the domination of the gender discrimination system.